Basics |
It's always good to remember
the basics: 300dpi,
CMYK, JPG
w/ maximum resolution (10 or 12).
Fonts should be converted to graphics
(i.e. convert to Outlines in Illustrator).
If you can't convert the font, be
sure to include the font files with
your submission. |
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PDF |
This is a common format throughout
the industry and solves many common
problems with fonts, images, and
so on. Although PDF is okay, we
prefer EPS and TIFF files. |
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Bleed
and edge spacing |
Files should have at least a
1/16"- 1/8" bleed all
around. What is a bleed? This is
extra space around a flyer that
lets the paper cutter be more accurate.
Use one of our templates
for best bleed and layout.
We also suggest not positioning
any significant artwork closer than
1/8" to the edge, and all written
information no closer than 1/4". |
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"We
love blue!" |
New designers (and clients) often
get excited about the wonderful
shades of blue that they can achieve
on their computer and rush out to
print them - only to end up with
unexpected bad greys and purples
on the end product. What happened?
Your computer monitor can produce
shades of blue (and green) that
are richer than what we can print
with traditional CMYK-process inks.
See next step for solution. |
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RGB -->
CMYK Preview mode
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The best way to obtain accurate
colors while working in Photoshop
is to work in RGB - CMYK
Preview mode. This means
you'er working with a RGB file,
but the colors match more closely
to the end result. while giving
you access to all of the Filters.
When you're all done, convert the
final file to CMYK. |
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Best shades
of black
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While Black ink is very good
for text, it's not good for solid
blocks of color and may appear slightly
washed out. To get darker shades
of black, it's best to consider
adding extra color from Cyan, Magenta,
and Yellow. This increases the ink
flow from the press and makes the
Black "richer." But be
very careful not to over-saturate
your Blacks either. The best rule
of thumb for a strong black shade
is for the ink percentages to be
no bigger than 250-300% when you
add up their values. For example:
C 70% M 60% Y 50% K 100% add up
to 280% - which will give you a
solid, dark Black. |
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Name
your file in steps |
This may sound obvious, but it's
a good idea to save files in stages.
Let's say you're working on flyer
"Love Parade." You may
want to work with a sequenced ID
system like "Love Parade Layered
1.0" and "Love Parade
Layered 1.1." This allows you
to go back in case your current
file dies. By using the term "Layered"
you'll know that this is a work-in-progress
file with many layers. Remember
to archive your most significant
Layered files when you're all done. |
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File names
for submission |
When naming your submitted file,
use FRONT or BACK in the file name,
as well as the physical size (i.e.
3x4, 4x6). Also make sure the file
name is easy to identify: "New
Years Flyer" is awful during
a rush season. |
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Font clarity |
Type is always going to be the
most important part of your design
- so keep it neat and legible. Never
use a font size smaller than 6pt,
and make sure there's enough contrast
between the font color and the background
color. Black on white is the most
common and strongest contrast. The
more similar the colors, the harder
it may be to read. |
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Printing
pictures taken from the internet |
Many times a novice designer
can't find a particular picture
and ends up pulling it from the
internet. The problem is that internet
images are at a lower resolution
than print (72dpi vs. 300dpi). The
end results could be tragically
bad. |
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Non-Adobe
software |
We work mainly in Mac-based Adobe
design applications including Photoshop,
InDesign, and Illustrator. If you
don't use these programs to create
your file, its a good idea to talk
with us before submitting items
to print. |
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